Entre jazz, pop et chansons traditionnelles du Zagorje, c'était l'une des plus grandes voix croates du XXe siècle. Gabi Novak est décédée à l'âge de 90 ans, deux mois après son fils, le pianiste de jazz Matija Dedić.
- Le fil de l'Info / Culture et éducation, Croatie, Personnalités, Courrier des Balkans“Litter Flourish”- A collage by New York-based artist Juno Lam that represents the “amalgamation of the negligence people have for the environment”. Credit: Juno Lam
By Oritro Karim
UNITED NATIONS, Aug 15 2025 (IPS)
In the 1900s, global discussions around climate change and fossil fuel usage reached new heights, leading to the emergence of climate change art. Since then, it has remained a key theme in contemporary art, with artists and corporations alike continuing to push messages of climate reform to instill a sense of urgency, fear, and shared responsibility in viewers.
The climate crisis has severely escalated over the past few years, with 2024 and 2025 being marked by brutal natural disasters, environmental decay, and significant losses of human life around the world. Despite the vast amount of climate change data released since the 1970s, a significant portion of the world still denies the existence of climate change, particularly in the United States.
Oftentimes, the general public struggles to understand the scope of scientific and political developments due to their complexity or inaccessibility. Data surrounding the acceleration of the climate crisis is often rooted in complex terminology and shrouded by significant amounts of mis- and dis-information on popular social media platforms.
Historically, artists have relied on visual arts to convey messages to their audience, using tools such as symbolism, composition, and color to evoke specific emotions or draw attention to certain world issues. Many works in the climate change art movement use these tools to depict the destructive impact of human activity on the environment, the disproportionate effects on marginalized communities, and the growing threat of human extinction.
Large-Scale Impact Projects
One such project is Scaling Urban Nature-based Solutions for Climate Adaptation in Sub-Saharan Africa (SUNCASA), a three-year project driven by the International Institute for Sustainable Development (IISD) and the World Resources Institute (WRI) that aims to empower marginalized communities, promote sustainable practices, and find environment-based solutions to benefit over 2.2 million people living in high-risk communities in sub-Saharan Africa.
On June 10, SUNCASA unveiled its transformative, new art project at the Nature, Climate, and Gender Symposium. The Litter Traps and Art Project, based in the Alexandra township of Johannesburg, South Africa, creates interactive art installations that act as tools to reduce flooding, clean up solid waste from rivers, strengthen biodiversity, and foster new conversations surrounding climate action.
“We’ve turned the detritus of urban life into guardians of the river,” said Hannelie Coetzee, an environment scientist and the lead artist on the project. “Each trap speaks to what has been discarded — physically and socially — and transforms it into a symbol of care. Art is not an add-on here; it is central to ecological restoration.”
David van Niekerk, CEO of the Johannesburg Inner City Partnership (JICP), noted that this installation stands out for its involvement from the local community and its role as an educational resource for both tourists and locals. Being more than just an aesthetic feature of the township, the installation symbolizes the importance of community-centered approaches, as well as sustainability and environmental protection.
In 2023, the International Committee for Museums and Collections of Modern Art (CIMAM), the nonprofit arts organization Julie’s Bicycle, the Gallery Climate Coalition, and ART 2030 established the Art Charter for Climate Action (ACCA) in an effort to recognize the transformative role of visual art in the fight against the climate crisis.
ACCA currently contains over 1,000 members from 70 countries, including partners from museums, corporations, and nonprofit groups, as well as contemporary artists and arts sector stakeholders. In 2024, Julie’s Bicycle announced that ACCA would collaborate with the United Nations Framework Convention on Climate Change (UNFCCC), aiming to achieve global net zero emissions by 2030.
“In order to achieve the goals of the Paris Agreement, it is essential that all sectors take transformative climate action now,” said UN Climate Change Executive Secretary Simon Stiell. “In addition to reducing its global emissions, arts and culture play a critical role in inspiring people to imagine and realise a low carbon, just and climate-resilient future.”
The Individual Level
An IPS correspondent spoke with local artists in New York City that incorporate messages of climate reform and sustainability through their work. Among them is Oriel Ceballos, also known as OR1EL, a mixed-media artist based in Brooklyn.
“Throughout history, art has helped humanity bring greater attention to issues like colonialism, racism, police brutality, gender inequality, climate change, militarism, the prison industrial complex, poverty, global hunger, homelessness, and many others that plague our existence. Without the voice of artists, it is difficult to amplify issues and mobilize people. That’s why all art forms are crucial in raising important issues that impact people,” said Cellabos.
OR1EL elaborated on his artistic approach when addressing climate issues, stating that his recent pieces employ language and a minimal use of color to emphasize advocacy messages of advocacy. “I am known for doing pieces with figures wearing gas masks to highlight air pollution. In my work, you can see pieces where I address how factories or urban life destroys nature. Other works depict the juxtaposition between urban life and a life more in harmony with nature,” he said.
Juno Lam is an illustrator and collagist who advocates for sustainability by repurposing found objects and scraps to reimagine the world using man-made materials. “My work with collage is a response to climate change with the ephemera I find. Right now, we are considered to be living in the Anthropocene era, a time where humans are really a defining force on Earth,” Lam told IPS.
Lam continued: “One thing I feel we can take for granted is really being able to use everything you have around you. A lot of things that we use are used once and thrown away. A lot of these things end up in landfills or are incinerated, becoming trapped in our atmosphere. What would it mean to be able to give something discarded a place where it will be appreciated? To make use of a material, or item, time and time again until it breaks. The broken pieces I put together make an attempt to connect, whether it be glued or drawn together.”
IPS also spoke to Ripley Rice, a multimedia artist and sculptor who works in bio-art. Looking to evoke a sense of unease and inspire audiences to look further into science, Rice stated that bio-art can include studying biotechnology, genetic engineering, conducting surveys and research, and presenting this data in a visually striking way in an effort to spread awareness on humanity’s role in environmental degradation, and engage communities in science and ecology.
Wooden dolls carved by Rice, made with wood stained with a fungus (C. Aeruginescens) that’s present in Northeastern America more frequently as a result of climate change and rising temperatures. Credit: Ripley Rice
“When I make art, my goal is to create something visually interesting enough to get people to care about what I’m trying to say,” said Rice. “By engaging my audience with science and nature, I’m connecting them to the earth and trying to spark that love and fascination that I have…Something I talk about in my art a lot is humans’ impact and power over the organisms that we share this planet with.”
Rice also explained the messages of some of their newest ecology-inspired pieces, including a portrait of a deer that gazes confrontationally at a viewer, as though judging humans “for our sin of encroaching on their land”. Rice is currently working with biopolymers in the hopes of incorporating them into their newest works, as well as studying the mycelium of a fungus that stains wood blue as it digests decaying logs in forest ecosystems.
“There is a throughline of nature, biology, and power structures. We can only bring about change if we dismantle the power structures and relinquish some of our control over the Earth and its resources…If I think too hard about our destruction of nature, I feel hopeless and nihilistic. All you can do is try your hardest to shine your little light while the world gets darker and darker”.
IPS UN Bureau Report
Follow @IPSNewsUNBureauIndia is grappling with a pressing issue-a stray dog population that exceeds 62 million, leading to a severe public health toll. Credit: Hari Krishna Nibanupudi
By Hari Krishna Nibanupudi
HYDERABAD, India, Aug 15 2025 (IPS)
During a suo moto hearing, a Supreme Court (SC) of India judge startled the Solicitor General and Amicus Curiae with a line from The Good, the Bad and the Ugly (1966): “When you have to shoot, shoot. Don’t talk.” For animal welfare advocates, it felt like a warning shot—not at criminals, but at India’s street dogs.
The two-judge bench questioned the rule requiring sterilised dogs to be returned to their original localities, ordered all strays rounded up and moved to shelters (that don’t exist), ordered immediate action over legal formalities, and asked pointedly, “Will animal lovers bring back children who died due to rabies?”
The Court warned that “so-called animal lovers, obstructing removals, would face contempt charges”. In the gallery, Gauri Maulekhi of People for Animals watched in disbelief as her counsel’s interventions were cut short.
When respected, street dogs become allies and guardians; when abused, they respond with fear and aggression, perpetuating conflict. India faces a choice between punitive crackdowns and humane, proactive management that protects both people and animals
The Court’s combative tone and disregard for due process sparked nationwide uproar. Police crackdowns on peaceful protests further inflamed emotions, as celebrities and civil society leaders joined a growing movement against what many saw as the criminalisation of compassion.
The Chief Justice of the SC intervened on time, transferring the case to a new three-judge bench, which thankfully heard all sides on 14th August, and reserved its verdict.
The Escalating Public Health Crisis and the backlash
India is grappling with a pressing issue-a stray dog population that exceeds 62 million, leading to a severe public health toll. In 2024 alone, there were 3.7 million animal bite cases and 54 confirmed rabies deaths, a nearly 70% rise in bite incidents since 2022.
Children under 15 accounted for 5,19,704 instances—20% of all victims. Chilling attacks underscore these numbers: a four-year-old in Hyderabad mauled on CCTV, a seven-month-old in Noida killed in a gated society, and multiple fatal incidents in Delhi, Telangana, and Rajasthan, including hospital premises. Such tragedies, even in supposedly safe spaces, have intensified demands for immediate and decisive action.
Public outrage has at times turned violent. In August 2025, a man in Rajasthan shot 25 dogs in two days (India Today), while a Karnataka legislator boasted of killing 2,800 dogs and being “ready to go to jail.” In Mumbai, a housing society hired bouncers to stop residents from feeding strays, prompting the Bombay High Court to protect feeders.
Judicial comments have also drawn criticism for lacking a scientific and ethical basis. The Delhi High Court claimed feeding strays makes them territorial, and a Kerala judge said human lives should take precedence. Such views ignore research showing that feeding with sterilisation and vaccination reduces aggression and stabilises populations, while root causes lie in human neglect and poor waste management.
Legally, animals are protected under the Prevention of Cruelty to Animals Act, 1960, safeguarding caregivers from harassment. A 2022 amendment bill seeks stronger protections but remains pending. The SC’s National Capital Region (NCR) order, however, alters the impact of existing provisions and effectively nullifies aspects of the proposed amendment in the region.
A Measured SC Directive, but Feasibility Remains in Doubt
The SC’s written order, in stark contrast to the aggressive tone of its hearing, offers a ray of hope. It replaces rhetoric with detailed operational measures, embedding public safety within a constitutional framework. The order mandates the complete removal of stray dogs from the NCR, links rabies control to public health services, and sets strict shelter standards.
As per the order, authorities must relocate all strays to shelters, suspending the Animal Birth Control (ABC) Rules 2023 “capture-and-release” clause. Dogs must be sterilised, vaccinated, and dewormed, with facilities for 5,000 animals ready in six to eight weeks, ensuring proper care, staffing, and CCTV oversight.
A helpline must be operational within a week, enabling pickups within four hours. The order also requires daily tracking of dogs, immediate medical aid for bite victims, public disclosure of vaccine stocks, and consideration of a dedicated animal-control force. Framed as an urgent public health mandate, the directive demands strict timelines and accountability.
Yet, feasibility remains in question. Maneka Gandhi, a leading animal rights activist and former environment minister, estimates Delhi alone would require $2 billion to establish such shelters, excluding costs for food, medicine, and sanitation. With no large-scale, functional shelter currently in place, developing the necessary infrastructure could take at least five years.
Choosing Co-Existence Over Conflict
India’s problem is not policy gaps but weak enforcement. Strict application of the ABC Rules 2023—sterilisation, vaccination, and responsible feeding—can stabilise stray populations.
Municipal bodies must partner with NGOs and trained feeders to ensure health monitoring, humane treatment, and rapid response. Scaling up sterilisation and vaccination through mobile clinics and sustained funding, as seen in Goa’s Mission Rabies, can eliminate rabies without mass confinement. Hostility toward street dogs is unethical and ineffective.
Humane, coordinated action—combining vaccination, sterilisation, trained community caretakers, and animal sensitivity education—is essential. Empowered NGOs and resident associations, supported with veterinary services and funding, can manage populations responsibly, ensuring safety, health, and harmonious co-existence between humans and animals.
Like abandoned children who flourish when nurtured, street dogs, too, thrive with care. Suresh and Hema, my neighbours in suburban Hyderabad, adopted two strays, feeding and treating them warmly.
They grew healthy, resembling Labradors, while their littermates perished or became aggressive. Similarly, Parnasri cares for four strays—feeding, medicating, and even educating dog-fearing neighbours. Now, these dogs are embraced by multiple households and protect homes from thieves.
When respected, street dogs become allies and guardians; when abused, they respond with fear and aggression, perpetuating conflict. India faces a choice between punitive crackdowns and humane, proactive management that protects both people and animals.
The SC’s NCR order tackles public health but demands scrutiny on cost, feasibility, and ethics. Success lies in creating safer streets and dignified animal lives—balancing compassion with science and law to set a global example.
Hari Krishna Nibanupudi is an India-based animal Rights Advocate and is associated with multiple animal welfare organisations
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